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ThatвЂ™s quite different from how things are today, especially with how people have opened up about the industry (and their work in it).ДЇilming Pot Country, it was hard to capture some of the elements that would be considered вЂњmost authentic.вЂќ Bringing a camera into a specific place makes every scenario fraught and difficult to capture any kind of life unawares. That was, in part, due to the fact that marijuanana legalization hadnвЂ™t been passed yet and it was hard for us to communicate the level of secrecy and paranoia that everyone had been swimming in.

McLean: 10 years ago, as Mario and I were finishing Pot Country, we both felt the things we loved about the area were nonetheless really hard to capture and put onscreen. Was it the specific subject matter that made you want to explore narrative filmmaking? Or were you always hoping to make films outside of the documentary space?

With Freeland now streaming on select VOD platforms, I spoke with the filmmakers about their shift to narrative filmmaking, keeping the experience authentic and the need for seasonal re-shoots.ДЇilmmaker: You both have a prominent documentary background, including a short nonfiction work you made in 2011, Pot Country, that covers similar terrain as Freeland.

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Originally documentary filmmakers who explored this subject matter with a short film, Pot Country, ten years ago, Furloni and McLean are well-equipped to take this study further, this time with professional actors, an added dramatic arc and a foreboding sense of tense paranoia. As sheвЂ™s advised by her legal representative to close up shop (applying for a permit is expensive, with no guarantee of even receiving one), Devi informs her young, bohemian employees that rather than get paid weekly, she will have to pay them in one lump sum at the end of the season-or at least, she hopes she can. Mario Furloni and Kate McLeanвЂ™s narrative feature debut, Freeland, places us in one such county (Humboldt) with one such farmer, Devi (Krisha Fairchild), exploring the ways in which a small cannabis-producing operation has suddenly found itself on the outside looking in. As their businesses are crippled by state legalization, these farmers are forced to take desperate measures or risk losing their livelihood. As pot farming has become legalized in select parts of the west coast, the push for governmentally regulated weed distribution has become an expensive business to invest in, with required permits and enforced rules pushing out more experienced old-timers who made a habit of keeping things affordable and independent. Even so, it hasnвЂ™t been a free-for-all for growers and sellers. The Emerald Triangle-three counties in Northern California- represents the largest region to produce cannabis in the United States.

How to play other peoples mario editor levels